Showing posts with label Star Wars. Show all posts
Showing posts with label Star Wars. Show all posts

11 January, 2017

Another New Hope: A simple guide to the different versions of the first Star Wars film

Many people know that there are multiple versions of George Lucas’ first Star Wars movie, but how many are there and how different are they? Well…there’s lots. Dive into the OriginalTrilogy.com forums and you will find pictures of slight end credit variations. Then there are home video releases which are a different experience to a theatrical one due to technical limitations as well as the fact they may be pan-and-scan editions. Laserdisc releases may be time-compressed and PAL region releases have PAL speedup. There’s even a narrated logo. One release may be identical to another but with slight colour variations or a different level of noise reduction applied. There can be changes in subtitle placement and font, plus there have been releases with technical errors. Factor in foreign-language dubs and there have been a lot of different versions over the years.

Maybe one day I’ll work it out. The more likely scenario is that the posters on OriginalTrilogy.com will and I’ll stick up a link saying “hey look at this”. In any case, it seems likely that anyone asking how many versions are there of the first Star Wars film is not expecting these variations to be included in the tally. This guide then ignores things like that, focusing on just the English language releases and not counting home video releases as a new version of the film unless they did add something.

This is not a full list of every alteration ever made, but it should provide a guide to how each version differs from the others and when certain changes were made (and reverted in some cases).


1977 Stereo Theatrical  Releases

There were a couple of stereo options for Star Wars’ initial USA theatrical release. Two-track stereo was available on 35mm prints whilst 70mm prints boasted a six-track Dolby stereo mix. Whilst there may be different emphasis on certain effects, greater bass and dynamic range in the six-track, content-wise the mixes sound the same (no alternate dialogue here). The six-track was created first and then the two-track was derived from it.

In J.W. Rinzler’s The Making of Star Wars book, sound designer Ben Burtt says that whilst they were not completely happy with the mix there was no time to make changes, commenting “they were all too afraid to mess with it, ‘cause the deadline was so close-the whole system with the Dolby was kind of an experiment, and they didn’t want me to tamper with it.”



1977 Mono Theatrical Release

The monaural mix arrived a little later for the film’s general release and the extra time was used to make some changes. Ben Burtt (again in The Making of Star Wars) says “George, [editor] Paul Hirsch, and I and everyone in the crew sat down and made a list of the things we didn’t like in the stereo mix. Then we tried to achieve every one of those things on the mono”. Lucas himself adds “We were locked in this little room, but it was important because monaural was what most people were going to hear”.

Changes in the audio include alternate/additional sound effects and a different voice for Aunt Beru. There was some changed/additional dialogue too:

- When searching for the droids in Mos Eisley, a Stormtrooper says “All right, check that side of the street. It’s secure. Move on to the next one”. Previously the line was “All right, check this side of the street. The door’s locked? Move on to the next one”.

- As Artoo is making the location of the tractor beam control appear on a monitor, there’s an additional line from Threepio: “The tractor beam is coupled to the main reactor in seven locations. A power loss at one of the terminals will allow the ship to leave”.

- There’s the addition of a "Governor Tarkin" before the Grand Moff is informed “we have an emergency alert in detention block AA-twenty-three”.

- When Han and Chewie are running from some Stormtroopers, before the blast doors close (and cause a trooper to shout “Open the blast doors! Open the blast doors!”) one of them (in retrospect, a twonk) issues an instruction to “close the blast doors!”.

- During the Death Star battle Luke says “Blast it! Wedge, where are you?”. Previously he said “Blast it! Biggs, where are you?”.

Some of these changes could also be heard in The Story of Star Wars (an abridged audio version of the story) and the script included with 1979’s The Art of Star Wars book uses the mono mix’s altered dialogue.


1981 Theatrical Re-releases

Something else the script with The Art of Star Wars included was a new longer title, numbering the film “Episode IV: A New Hope”. When The Empire Strikes Back was released in 1980 it was identified on-screen as “Episode V”.

Star Wars received a theatrical re-release the following year and its opening crawl was updated to include the episode number and title.


Aside from the new episode number/title (and a slightly reformatted opening crawl) these re-releases were the same as before. The stereo version was used for initial home video releases (VHS, Betamax, CED, Laserdisc, VHD, Video 2000) and the mono mix was used for some TV broadcasts of the film.

In 1989 the film was released on Super 8mm. Stereo and mono versions were available.


1986 Home Video 

Although not a major update, a new audio mix was produced for home video in 1985. Despite the alterations and additions that had been made for the mono mix, the content of the 1985 mix was similar to the stereo version. Some reports mention improved stereo effects, but the only noticeable difference over the previous stereo version is that it includes Threepio’s tractor beam line from the mono mix.

It first appeared in the USA the following year on VHS and would be used for the various VHS and Laserdisc releases until 1993. Other places may have got the audio mix later; it appears it didn’t turn up in the UK until 1991.





1993 Definitive Edition
New decade, new sound mix. Produced for the Definitive Collection LaserDisc set, Threepio’s tractor beam line has been taken out again. Said to be a downmix of the six-track version, dialogue-wise this is identical to the first stereo mixes. There are, however, a number of additional sound effects added to the mix. Some of these were previously featured in the mono mix, but others are new.

This edition of the film would be used for VHS and LaserDisc releases until the arrival of the Special Edition, with the 1995 release being promoted as the “last chance to own the original version of Star Wars”.




1997 Special Edition
Previous alterations to the film could easily have gone unnoticed, but that would not be the case with 1997’s  Special Edition. Back in theatres (along with its two sequels) for the twentieth anniversary, this updated version featured additional scenes and new special effects. Audio-wise it should be noted that Threepio’s tractor beam line returned, as did “close the blast doors!” from the mono mix. There was also an additional “He’s on your tail” during the Death Star battle.

The big changes, however, were visual. There’s a new scene with Jabba the Hutt and Han, whilst later on Luke now has a brief conversation with Biggs before the Death Star battle.
   

There are additional shots in the film such as in Mos Eisley and of recently arrived on Tatooine Stormtroopers searching for the droids, whilst other shots have CGI additions and some effects work has been redone. There are far too  many changes to detail in a guide that’s trying to be brief, but a few examples are shown below:
    
Of course, this is also the version of the film that altered “The Greedo Scene” to make the bounty hunter fire a shot at Han. Additional tweaks to this confrontation would be made in subsequent versions of the film.

The Special Edition received a home video release on VHS, LaserDisc and Video CD.

2004 DVD
Although the format arrived in the 1990s, the Star Wars Trilogy would not be released on DVD until 2004. People expected the Special Editions, but that would not be the case as the films had received further updates for this boxset release.

As far as the first film is concerned, there are a few small visual updates such as these:


A bigger update was Jabba the Hutt, whose CG model was redone to make him look closer to his appearance in Return of the Jedi and The Phantom Menace.


This version of the film features an odd colouring error during Luke’s training aboard the Millennium Falcon. At one point his Lightsaber appears very green.


There were some audio changes too, with the “He’s on your tail” line that had been added to the Special Edition removed. There was a new Krayt Dragon sound effect for when Obi-Wan scares off the Sand People and a couple of dialogue additions as well:

- Aboard the Sandcrawler Threepio announces “We’ve stopped” before his “Wake up! Wake up!” line to Artoo.

- On the Death Star, after searching the Millennium Falcon, a Stormtrooper says “There’s no one here”.

Another notable audio change was the music as the rebels start their attack on the Death Star which is now buried deep beneath the sound effects. It seemed like an error, but Lucasfilm issued a statement to various websites insisting “any changes that you hear on the all-new Dolby Digital 5.1 Surround EX tracks on the Star Wars Trilogy DVD set are deliberate creative decisions. We can confirm that there are no technical glitches as has been reported.”

2006 “Original Theatrical Version” DVD
The 2004 editions of the films were released again in 2006 and whilst a boxset was available from some retailers, this was the first time the original trilogy films were available to buy individually on DVD. As an incentive for people to repurchase the films, each of them came with a “Bonus Disc” featuring the original theatrical version of the film.

Sort of.

These theatrical versions were created from the masters used for 1993’s Definitive Collection Laserdisc set, which in the case of A New Hope contains some changes. However, this wasn’t a simple DVD release of the 1993 version either as the original version of the opening crawl was restored (making its first appearance on home video).  So whilst there isn’t actually anything new here, adding the 1977 crawl to the 1993 edition created a new version of the film.

After these individual releases of the three films disappeared from shops they were repackaged in a slimline Star Wars Trilogy boxset that was released in 2008.


2011 Blu-Ray
Released on Blu-Ray, “Star Wars: The Complete Saga” packaged Episodes I-VI together for the first time (although separate trilogy sets were also available) and George Lucas took this opportunity to make some more alterations to the films.

For Episode IV a couple of changes fixed problems with the 2004 edition of the film. The music as the rebels start their attack on the Death Star was restored to prominence and the shot with Luke’s very green lightsaber was changed to make the blade blue.

Additional changes were made too, such as colouring the lid of Threepio and Artoo’s escape pod grey in most shots on Tatooine (having been blue in all previous versions of the film) and there was extra cover added to the spot where Artoo hides from the Tusken Raiders.

A shot during the Millennium Falcon’s battle with the TIE Fighters was also updated. All previous versions of the film had a portion of the image missing, although this was not particularly noticeable against the black of space. It was finally fixed for this release.

On the audio side of things, Obi-Wan’s Krayt Dragon call was changed again, sounding quite different to both the 1977 and 2004 versions. A line of Aunt Beru’s was slightly changed to “Luke, tell your Uncle that if he gets a translator to be sure it speaks Bocce”, having previously lacked the “your” part of  “tell your Uncle”.

This version of the film has been rereleased a few times on Blu-Ray and has also been released on DVD and Digital.

2019 4K Home Video

George Lucas would sell Lucasfilm to the Walt Disney Company in 2012, but prior to that further work was done to A New Hope for future 4K home video releases. This, however, would not be seen until 2019 when Disney launched their streaming service Disney+.

It featured a number of small visual tweaks, including an alternate fix to the TIE Fighter shot with some of the image missing. This time the image is shifted right, with the left part of the shot extended.

More noticeably, the Greedo scene now features an untranslated line of dialogue from Greedo (and a brief shot of him) right before his shootout with Han and the two now fire at the same time.


This version of the film was also released on Digital, 4K Ultra HD, Blu-Ray and DVD.

Please note that images are used to illustrate when changes were made and are not necessarily sourced from the indicated version.

Last Updated: 10/7/25 -  added 8mm information.

04 June, 2012

Star Wars: The Cantina - Production Journal

17th March, 2006
I've decided to keep a production journal, chronicling the making of STAR WARS: THE CANTINA. This is what's happened so far:

3rd February, 2006
Following the positive response to 'Star Wars: Revenge of the GIF' I had decided to make another Star Wars fan film and had been working on a first draft of the script during January. Today however I see on Empire Online a news piece about a short film competition. For short films featuring the STAR WARS action figures. Only one "Hasbro" figure is required which is handy as my collection is mostly Kenner figures.
I stop writing the other film in order to concentrate on this. I quickly decided it'll be called STAR WARS: THE CANTINA. It'll feature the Cantina scene from A NEW HOPE but show the things we didn't see. I had been thinking of including an alternate version of the Cantina scene in the film I'd been writing, but wasn't sure if I could fit it in.
I may have to purchase some additional figures – like say a Cantina band member. Luckily there are some on eBay.

4th February
I order some new MiniDV tapes off Amazon. Using a Amazon Marketplace Seller I get three for just under six quid (including postage).

6th February
MiniDV tapes arrive. I should probably start planning exactly what will be in this film.

7th February
I had planned to just write an outline, but as it's such a short film I decided to do a first draft instead. It's pretty easy as I've been writing it in my head since the competition was announced. However as I'm about halfway through it, my laptop dies. Luckily I had the file saved on a external device. Unluckily it only saved the title sequence. I grab a pen and paper and opt to write things the old-fashioned way. I finish pretty quick, I'll do the shooting script and a “need” list tomorrow.

8th February
My laptop is dead. It's been on the way out for a few months now, with various things not working. I order a new one. Luckily I had backed everything up.
Whilst that is out of action I use my sister's to enquire about cheap audio editing software – something I'll need. I post on the Star Wars en Direct message board, where ex-producer Dany and board member "dathrill" mention 'Audacity' which is free – which is even better.
In the evening (using my sister's laptop) I win a Cantina Band member off eBay - by my reckoning the only new figure I'll have to purchase. I go to pay via PayPal when I discover I CAN'T. What? The seller doesn't accept PayPal! Who doesn't use PayPal? For what must be at least a year now, everything I've got off eBay I've paid using PayPal. It's such a commonly used payment method that I don't even think to check if people accept it anymore.
I write a cheque instead but as I'm writing the address on the envelope I notice that the address I've been sent by the automated "you have won" email doesn't include a house number or street name. I send a question to the seller asking for his address, but don't get a response. Well it is getting late and I'd missed the last post pickup anyway.

9th February
The seller still doesn't send me his address. I can see this messing up my filming schedule.

10th February
I check my e-mail first thing and hurah! I have a full address at last. I send the cheque off right away. I also draw up plans for the sets I'll need (originally scheduled for tomorrow)

13th February
My cheque should have arrived by now. But feedback hasn't been left. I fear he will wait for the cheque to clear.

14th February
I construct the Cantina interior. In the end I don't build the steps or other doorway, as neither needs to be seen onscreen. Additionally Han's booth will be constructed separately.

15th February
My new laptop arrives! With setting it up, spending half a day looking for the installation disc for my modem and transferring various files and programs, I don’t get anything film-related done.

16th February
I had hoped it would by now, but the Cantina band member figure still hasn't arrived. I'm convinced now he's waiting for the cheque to clear. Fair enough, I suppose – but come on who doesn't use PayPal?
In the evening I decide to start filming anyway – with four cardboard cutouts. As this first shot I'm doing will not feature any closeups of the band I should get away with it.
A few hours later and I've completed a tracking shot of the Cantina, taking place near the start of the film. I always knew it would take longer to shoot than most shots due to all the characters featured and the fact it's all stop-motion work – as opposed to waving the figure in front of the camera which I should be able to do for some later stuff.
It worked pretty well, with most of my time actually spent trying to get the band to stand up. There are times where the camera captured more frames than it should, and a bit near the start where it's too jerky but I should be able to clean it up in the edit. I liked how the drunken Ewok turned out. I filmed a couple of closeups by just shaking the set to achieve the movement, but it looks like I'm just shaking the set, so I'm glad the other stuff worked.

17th February
I write this journal.

20th February
Cantina band figure arrives today. I plan to shoot band closeups tomorrow – and hopefully everything else on that set (incl. Han/Greedo stuff).

21st February
I shoot the closeups and reaction shots of various characters following Greedo's death. However I didn't get the Han/Greedo stuff – but as I don't actually need the full set that's not really a problem.

1st March
Due to work and things I don't do anything else until today when I finally type out my Second Draft.

7th March
Work again causes no progress, until today when I post a casting call on the Star Wars En Direct boards. I film all the other Cantina set stuff except Han's reaction, the Obi-Wan/Luke side of their conversation with Han and the Boba Fett / Yak Face bit.

8th March
I finish filming on the Cantina set. Hurrah!

10th March
I decide to post my casting call on the Galactic Senate message board as well.

12th March
One role I'd left off the casting call was that of Vader. I'd had the idea of keeping his appearance secret, by obtaining his only line--a girlie scream--by asking someone from the 'Star Wars en Direct' radio show to provide it on-air (even they won't know what it's for), and then I'll extract it from the podcast later. The obvious choice is Audrey but when I e-mail them later I also suggest that Sebastien and Brian give it a go. I get a response from Sebastien saying they'll see what they can do.

13th March
Today I plan to shoot the corridor scene and construct the Cantina exterior. I manage to shoot the corridor scene.

14th March
I manage to construct the Cantina exterior and to my surprise I manage to film everything. Principal photography is complete! It is at this point I realise I don't know the exact date of the competition deadline, I think it's the end of April but I should find out the exact date so I go on to the competition website to find out.

Oh dear.

The good news is that the deadline is actually 31st May. The bad news is the fact that the site has updated with some "terms and conditions". One line which is going to cause trouble reads "Filmmakers must NOT use of any copyrighted music, video or still images from the Star Wars movies". Now whilst I thought using music from other things would be a big no-no, I figured using Star Wars music (this being an official competition an' all) would be fine. So now the Cantina band will have to play something other than the famous 'Cantina Music'. This is a problem.

I also listen to the Star Wars en Direct show and don't hear any screams. Thankfully they (via the message board) promise to do it next week. Then after making some "Sin City Breakfast Tacos", I start transferring footage to my hard drive to begin editing. I'm also sent an excellent reading of Doctor Evazan's line. The first role has been cast!

15th March
In the morning I hear on Classical FM a mention of someone working on "elaborate stop-motion" film and wonder if it's for this competition. Later on I decide to delete the roles from my casting call as they are cast, and add a "casting status" bit instead saying how many roles have been cast. As I will be voicing Sidious, Yak Face and Greedo this takes the roles cast up to four. My hope is that when people see the number of roles cast going up, they'll be more inclined to try out for a role themselves.
I decide I'll need a Jawa "ootini" so added it to the list of required roles. I feel bad that the only role that has (really) been cast is a off-screen one, so decide I'll do a pickup shot with a cardboard Evazan at some point, I then change my mind when I see a proper one on eBay for cheap.

16th March
I purchase this month's SFX as it looks interesting and inside there is an advert for this competition. Up until seeing it, I had half-wondered if the competition was a wind-up to see if anyone would actually be sad enough to make a five minute film with a bunch of toys.

17th March
I add the "NO Equity or other guild actors" bit to the casting call (as specified in the rules) just in case - and also that Wuhur is a offscreen role.
I'm getting worried about what to do for music, also I've planned to do the end credits as a card-back, but I can't do this until I know how many people I've got.

20th March
I remember about the Evazan figure on eBay, twenty minutes after the auction ends. Instead I buy one from a American seller, in a set with Ponda Baba (who I'll use) and Obi-Wan (who I already have in the film anyway). It'll take longer to get here but it's OK now that I have more time (than I thought) until the deadline.
I get the Star Wars en Direct podcast and...

Transcribed from Star Wars en Direct, English show #80: The Empire Strikes Back, 26 Years of Empire. Aired: 19th March, 2006
Sebastien: Like Luke screaming at the end of the movie the first time. He was just like jumping but screaming like a girl.


Brian: What??


Audrey: Say again?


Sebastien: No offence to girls, in the first version of Empire Strikes Back... [reacting] yeah that's right, he just plunges to his death...


Audrey: Oh down the thing. Yeah. Waaaaaaaaaaaaaaaaaaaaaaaah!


Sebastien (amused): Hey Brian. Snap. [laughs]


Audrey: We're supposed to do a whole load of screams aren't we?


Sebastien: You're right. People take your microphones off your ear...away from your mouth and start screaming...


All*: Aaagggggggggggggggghhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh!!!!!!!!!!!!!!!!!!!


[laughs]


Sebastien: OK I hope that makes some of our listeners happy.


[laughing]


Brian (coughing): I can't talk


Sebastien: And the high pitched scream was mine. I'm sorry.


Moments later...


Sebastien: I think we just pierced a few ears.


Brian: Oh I'm sorry Admiral...


[laughing]


Audrey: We scared the cat, people.


*On this show the team were joined by Adria and a unnamed but amusing guy. So this scream featured five people.


OK they weren't all supposed to scream at the same time, but then that's my fault for not telling them why I needed the scream. However it's still usable, I may stick it in the Greedo scene and use Audrey's mini scream for Vader.

21st March
I post a thanks in the SWD feedback thread and update my casting threads to reflect the extra role now cast.

At this point the Month turns bad, and I don't do anything film-related other than make the decision (on 10th April) to drop Wicket's line as Wuhur will be speaking at this point anyway.


19th April
I've created a very rough cut. I then extract the different scenes as this will make it easier to work with. I decide to do the title sequence, with the morph bit requiring over a hundred frames by hand. I complete the frames then go to create the AVI. However with AVI maker you can only add one frame at a time so this takes a while.
I make file then realise there's a bit that should be black that isn't down the left side. I fix around 60 frames then try again.
AVI maker bodges up. I will have to add those files again. One at a time.
For the sake of my sanity I decide to leave it for now and start on some other FX shots. I do the R2 boosters shot, changing the order of some frames to make it look better and make the AVI. I then go back and make the AVI file of the title sequence and this time it works. I'm not happy with the R2 boosters shot, so go back and do some wire (dental floss) removal - and change the frame order slightly too. I watch it and notice I missed a couple of frames where floss is still visible. I go back and fix it. Finally the shot is done. Hurrah two fx shots finished! Ow my back hurts.

At some point between 19th April and 2nd May I do the second Saber shot (only two frames).


2nd May
I do the first 101 frames of the first Saber shot. May actually be enough. I continue with the rough cut. Completing the first 1:25 - though without the "Darth Fool Presents" card and Evazan shot.

3rd May
I finish the rough cut. It runs at 4:59 without credits. I make some trims and get it down to 4:41
I post my casting call on the Anime Connect board too, and this time mention the possibility of prizes - I don't know why I left this fact out of my previous threads. I notice I'd requested five growls from Chewie, though I now only need two. In fact only ever needed three. I ask for three.
I try out Audrey's scream on Vader and It's not as usable as I thought. However with some editing, the group one is! Hurrah! Going to be a confusing credit though - 5 people! Next I start work on the music. Oh dear.
For the music I'd had the idea of recording some sounds, like guitars, some drumming and other things like change rattling and then sticking them together to try and make a tune. It takes a long time though I seem to be creating something. However the mood does not fit at all.

4th May
I'm not having any luck at all with casting - no one else has been cast, although several people have mentioned roles they're thinking of trying out for. I may have to produce a version without voices.

6th May
I decide to look an the Internet for some royalty-free music. I find some. Hurrah! There will be some free sound FX included with CD they're sending - may be useful, but may not be here on time. Thankfully I am allowed to download the tracks I need right away.

11th May
I film the pickup shot of Evazan and Ponda Baba, even using the display stand they came with as the background. Visuals-wise I complete the final cut (apart from end credits). Start adding in music and sound FX. I've now decided Chewie will be a sound FX thing so I remove him from casting notices.

13th May
I add in all the sound I've got and record the rake bits and Saber noises.

14th May
Casting not going well, and I will now prepare an alternative version, minus voices. I get started on it, editing out some unneeded movement (original there for voices) when I think of maybe subtitling the whole thing. There doesn't seem to be a good place for the first line when I decide to make it a silent movie! With cards for the dialogue. I plan to have the lightsaber blade in colour though, which will cause some trouble. Hmmm. I always wanted to re-edit ANH as a silent movie.
I'm getting really in to this new version of my film when the phone rings and I get called in to work for 11:00. Bugger. I get back just before 23:00.

15th May
Complete the rough (silent) cut. Runtime 5:22 arggh! Without credits argghhhhh!!! And some of the cards aren't displaying long enough. AARGGGGGGGHHHHHHHHHHHHHH!!!!!!!!!
I take a break then come back and make some edits. Runtime now 5:02
More edits, now 5:00 exactly - will have to ditch credits, make a few trims and fade to black at the end. Do that and runtime is...4:59
Change "strong in the force" to "strong with the force"
Not sure if I should maybe to do the thing in colour. I will try both. I black and whiteify the second Saber shot. It's simple enough but time consuming. Before trying the first Saber shot I perform more minor edits in the hope of getting a brief card for the credits. I manage to get the time down to 4:56, so add a 4 second card featuring brief credits. The time is now 5:01. Huh? I cut a second out of the credits and the film is finally 5:00 exactly

16th May
I complete the music sound mix and find that due to silence at the start of the first track, it doesn't synch up properly. I mess around with it a bit, finally solving the problem by inserting a small reverse sample at the begining. Today also saw the CD arrive and I use some of the free sound FX.
I opted to have some sound effects in because certain things were written with the sound in mind (Vader's scream, the third rake). Also the end bit felt a bit flat with no sound at all - after all even the music stops following Greedo's demise. In the end I keep Vader's breathing, the rake stuff, the Saber hum, Vader's scream and the Wilhelm - used as I always intended as Yak Face gets captured. I also add in (from the CD) a water effect for Greedo's water pistol, gun sounds for Han's blaster, a smashing sound for the dropped glass, some creaky floorboards and a dragging sound.
The colour cut is now finished! Not sure If I'll have time for the black and white version, but at least one version of it is completed. I go to check what format the file should be in and can't find it. anywhere. I email them.

18th May
I've decided to stick with colour version because I really like how some of the shots have turned out. They haven't replied about the file format though, so I create a compressed avi, a Mpeg and a quicktime file - and also do a DVD of it. I'm thinking of sticking a copy on VHS when I remember about uploading online, I had registered yesterday just in case. I opt for the quicktime file. Small size, good quality.
Start upload... and connection dies.
Try again... and it times out.
Try a third time... and it times out again. hmmmm
Make a lower quality .mov
Doesn't have sound.
I consider unploading the mpeg but it looks terrible. I try again with the lower quality .mov and this time get sound. However there's an A-Team thing on soon so I'll try and upload tomorrow.
I noticed that "do you think you can help" is followed by "he doesn't like you". Which if you're not paying attention doesn't make much sense.

19th May
I've got a reply to my file format query (received last night actually). It can be sent in any format really, tough (due to the looming deadline) they recommend I also submit it online. Will do.
Submit...timed out. AGAIN.
I make an even lower quality version. However whilst the new file has a smaller window size it hasn't made any difference to the file size. Huh?
Try again, different codec.... file even bigger!
Try another... back to around the original too big
I'll try the mpeg -it suits the online viewing and I can always post the uncompressed AVI with my form.
Upload...time out! arggh!!!
Will just have to post it, as this is not working. I'll have to do that tomorrow though, as I then have to go to work. Whilst at work (typically bad) I decide, to do the film in black and white after all.
All I need to do is that first saber shot. I'm very tired when I get back, managing just 10 frames. 91 to go tomorrow.

20th May
I get up early an finish the frames no problem - only the ones I'd added blur to cause a bit of trouble. I make the black and white video file, changing the fade on the credits to a cut and changing the "can you help?" line to one about fetching Luke. For some reason a frame has been added to the end. I take it out and make again, add the audio and....it's finished! Just missed the post though. Still it's all packaged up and ready to go.

22nd May
I post the dvd with the uncompressed black and white avi on it.


23rd May
I make a small wmv file. Upload and...IT WORKS!!!! Hurrah!!!

Over the coming weeks I hear nothing. I keep checking the website every now and then to see if the nominees have been announced, but there's nothing. Eventually I resign myself to the fact that I was unsuccessful. On 18th July I notice the site has updated to mention that the awards will be given out at the Memorabilia Show (http://www.memorabilia.co.uk) in August.


25th July
I receive a letter telling me that I'm up for the 'Creative' award and all finalists are also put forward for the 'Best Mini Movie' Award! Wow. My family manage to get me worried that I accidentally entered the under 16 category. Having visions of that 'Only Fools & Horses' episode where Rodney joins the Groovy Gang, I make sure to add that I've been nominated in the "16 and over category" to my e-mail when claiming my free tickets via e-mail later on.

7th August
Get home from work and I'm rang up by a local newspaper. I do an awful interview over the phone, including a bit where I accidentally mention that job I don't talk about. They'll be sending the photographer tomorrow.

8th August
Photographer arrives, not as bad as the interview but not looking forward to article. My free tickets arrive for show, but there are only two, I had been expecting three. I read the original letter and whilst it is a bit messed up due to being a multi-purpose form letter, I can't help but focus on things like "for you and two adults", "two kids per adult (under 16's and including yourself)". I am convinced I have entered the wrong category. However whilst checking through a copy of the submission form, I notice that under-16's had to have their parents fill in a section, so I guess I didn't.

9th August
The local paper arrives.I don't remember saying all the things I'm quoted as saying but the gist of things is right. Also I'm annoyed that the job I don't talk about is the only one that gets a mention. However on the whole it's not too bad.

13th August
I enjoy looking around the Memorabilia show, then at 14:30 it's time for "The Artoos" to begin in the stage area. It's late starting, partly due to the previous thing finishing late (a Q&A with some Star Trek people - I think) and also because they are plucking out the finalists (and their guests) from the queue so we can have a seat and be able to go up and collect an award should we win. Danny John-Jules is announced as the compère. In fact he comes on and announces the actual compère - some guy I presume works for Hasbro, before disappearing. I didn't quite catch this guys name so I shall just call him "Guy-in-a-t-shirt".
Guy-in-a-t-shirt does a bit of an introduction, interestingly referring to the show as "the first" Star Wars Mini Movie Awards, suggesting It'll be back next year. He then says that no photography is allowed and the show gets under way.
The films were shown in twos - the finalists for each category and then Guy-in-a-t-shirt comes back on and opens the envelope containing the name of the winner. One problem was that the name of the winner's film wasn't given, so on a few occasions I was unsure which film had won. Another problem was the very dark screens, which made the start of one film hard to watch as it featured a character holding up boards with writing on - which no one could make out! Of course the judging had been done before hand but it was a little annoying. The awards themselves look excellent - silver "Darth Tater's" and "Artoo-Potatoo's" made into trophies - with a Golden one for the 'Best Mini Movie' award.
When it comes to my movie, I'm relieved that people laugh at all the right moments. Biggest laughs seem to be for the second rake hitting Sidious in the face, the cocktail stick line and the eBay one. I also notice that the guy sitting near to me (Dan) is very impressed with my use of the Wilhelm.
Unfortunately I lose out in the 'Creative' category to a shot-by-shot remake of the "Carbon Freezing Chamber" scene from The Empire Strikes Back, at which point picking up 'Best Mini Movie' seems very unlikely. And of course I don't. That in fact is awarded to Dan for his excellent film (also wins 'Best Use Of Characters'), featuring a post-A New Hope argument on who should be awarded medals.
So I go home (film award-wise) empty handed. Still, two nominations. Not bad.


originally posted: 16th August, 2006

Star Wars: The Cantina



Year - 2006
Format - MiniDV
Aspect Ratio - 16:9
Runtime - 5 Minutes
Premiere - 13th August, 2006, Star Wars Mini Movie Awards, Memorabilia Show, Birmingham NEC


Following the positive response to 'Star Wars: Revenge Of The GIF' I decided I'd make another Star Wars fan film in 2006. Work was underway on the script when I read about Hasbro's "Star Wars Mini Movie" competition, a film competition where the films had to feature the Star Wars action figures. I stopped what I was doing and began work on 'Star Wars: The Cantina' instead.

Focusing on the cantina scene from 'Star Wars - Episode IV: A New Hope', 'The Cantina' is several ideas rolled in to one. The fan film I was working on also focused on what the camera didn't see (and was also set in the ANH time period). However it seemed unlikely that I would be able to include a version of the cantina scene in that, so carried over some of the things I'd been thinking of into this film - but with a more comedic spin. Though the characters act like their film selves, they are toys and so this is why there is the mention of a cocktail stick and why Yak Face moans about how much he is worth. Finally, when it became apparent I would not be able to get all the voices I needed, I re-edited it as a silent film. Re-editing ANH as a silent movie is something I've always wanted to do, however I have never had the time for such a thing. This allowed me to try it on a smaller scale, though it is not a completely silent film. Some sounds were left in as they were needed for gags, to create some atmosphere or just to liven up the audio.

'The Cantina' was nominated for two "Artoos" - the Star Wars Mini Movie Awards, and the awards show was where the film received it's premiere.

Awards
Runner up: Hasbro Star Wars Mini Movie 'Creative' Award (Jedi Category)
Nominee: Hasbro Star Wars Mini Movie 'Best Mini Movie' Award


Originally posted: 16th August, 2006

Star Wars: Revenge of the GIF

rotgposter_small
ABOVE: The poster for the short second online run.


Year - 2005
Format: - Animated GIF
Aspect Ratio - Multi-Aspect within a 5:3 frame
Runtime - 3 Minutes 15 Seconds
Premiere - 19th May, 2005, dejha.co.uk (webspace by
xthost.info)



On the 4th August, 2004 (at 20:32 GMT fact fans) I made a post on the Galactic Senate message board. I know this because I've just looked it up by trawling through the archives. At the time the main thing people were talking about was the forthcoming DVD release of Episodes IV-VI and the changes to the films that were being made. I joked that a goof that featured Darth Vader waving his arm about, whilst not saying anything would be fixed and included an animated GIF that added a yo-yo in to his hand.
I'd long been a fan of the crude animation style of animated GIF's and enjoyed finally making one myself. I'd have to make some more. Only I didn't. Not until the following year.

On the 21st April, 2005 (at 12:11 GMT fact fans) I made a post on the Galactic Senate message board. I know this because I've just looked it up by trawling through the archives. At the time the main thing people were talking about was the forthcoming theatrical release of 'Revenge of the Sith'. As well as the trailers a lot of images had been released for the film and lots of TV spots were released too. Seeing a chance to make another animated GIF, I used some of this imagery to create an alternative humorous ending.

This brief clip was all I intended to do, but then I noticed people seemed to really like it. Furthermore the board's own stats showing the number of people who clicked on the clip kept going up and up. I then decided that I would expand it to be a short humorous version of the 'Revenge of the Sith' story - which I was familiar with, having read the novelisation and screenplay. So in my free time I started constructing the film using whatever suitable imagery I could find, intending to get it online before the film it was based on came out.

Which I almost managed. The film was completed 18th May, 2005 (one day before) and I set up a special mini-site that contained the following warning:


SPOILER WARNING:

ROTG is (loosely) based on the story and imagery of STAR WAS - EPISODE III: REVENGE OF THE SITH. If you haven't yet seen the film, which at the time of writing is very likely, viewing this animation may spoil some of it for you.



Except the file, which ended up consisting of 400 frames and was 20.3MB in size, failed to upload. I tried again and again but it just didn't work. The following day (the same day Revenge of the Sith was released) I split it in to two parts and this time I was able to upload it. Although there were links to view it online, I recommended that people with slow internet connections download it first and then
watch it. Two days later I was able to replace the two parts with the full clip.

The first online run, ran from 19th May, 2005 until 18th June, 2005 when the site for some unknown reason stopped working. I then made a poster to promote a second online run "Showing for a limited time only". This second run--only a few days after the first had ended--ran from 21st June, 2005 until 2nd July, 2005.

Later in the year I decided that as a tie-in with the forthcoming DVD release of 'Revenge of the Sith' I'd make a ROTG DVD. Well make the relevant files that people would have to download and burn to disc themselves. On 25th October, 2005 I wrote a text commentary for the film and the following day I converted this in to a MPEG2 file and created the menu, which I made slight modifications to the next day. Yet another day later I converted the film itself into a MPEG2 file, using the uncompressed frames for a better image quality. The DVD was completed later that day. At which point I decided I wouldn't make it available as it'd probably be better if I just put it on a DVD of various short films instead.


In 2007 I decided I would add the film to YouTube. After several attempts throughout May it finally appeared on the 31st.




Originally posted: 31st May, 2007

10 March, 2011

DVD Easter egg grumble

There are a few things that have annoyed me about DVDs over the years: region coding, flippers, layer changes placed mid-scene, authoring errors that leave episodes of a series off a disc, more region coding, that time I had to send my DVD player off for an upgrade because it was one of the (many) players that wouldn't let you watch The Matrix… However the thing that has annoyed me most is DVD Easter eggs.

If you don’t know, Easter eggs are bonus content on DVDs that rather than being placed in the “Special Features” menu are hidden on the disc and are accessible by faffing around pushing arrow keys or pressing numbers. Defenders say that they are just small things that provide a bit of fun should you stumble across them, but why not just place them with the rest of the extras?

The worry seems to be that because they are often brief pieces such as a bit of test footage or a interesting interview snippet that couldn't be worked into the main documentary somehow, people would feel ripped off if they were listed as extras on the packaging. Well don't list them. Don't even include a “and more”. Just list the main extras on the sleeve but have everything accessible from the menu. To make things more irritating some hidden extras are actually interesting to watch or are things that would not be hidden on other discs.

Blooper reels are usually fun to watch but for some reason the three Star Wars ones (only available on episode 1, 2 and OT bonus disc) are hidden, requiring you to input “1138” (obligatory THX reference) on one of the menus. The “Ultimate Edition” Terminator 2 DVD (not sure if it's also on the eXtreme DVD - I haven't found it anyway) includes an “Extended Special Edition” as well as the regular Special Edition and theatrical cuts, but again is accessible only by inputting “82997 (8/29/97 = Judgement Day) on one of the menu screens. Why hide it? OK the changes are an extra scene that adds nothing and a different ending that isn't as good, but it's still an interesting alternate version to watch.

There are more examples, but nowadays I generally can't be bothered looking for them. The exception is Doctor Who DVDs as they tend to be in roughly the same spot. However despite pressing in the usual places I couldn't find the egg on the recently released Snakedance DVD (part of the Mara Tales boxset). I was going to give up when I recalled someone saying that they access hidden Who goodies by using the Audio Navigation option. So I tried it and there listed (and spoken) with the other features was “Easter Egg”. I selected it and was treated to a 14 minute conversation between Chris Bailey (writer of both serials in the set) and Rob Shearman, writer of amongst other things ‘Dalek’ (from Season 27/Series 1/the run of episodes that aired in 2005) and the excellent Eighth Doctor audio play ‘The Chimes of Midnight’. It's an interesting, enjoyable piece and I'm baffled that it was decided to hide it. I wonder what other gems are hidden on my various discs…

28 September, 2010

The Making of The Empire Strikes Back [book review]







Author: J.W. Rinzler
Hardcover: 372 pages
Dimensions: 29.6 x 27.4 x 3.4 cm
ISBN: 978-1-84513-555-3


Release date: 12th October, 2010
RRP: £40.00
makingtesb

2007 was the thirtieth anniversary of Star Wars and not a lot happened. Contrary to expectations a feature-packed six-film DVD (and/or HD format) boxset was not released and rumours of a 3D theatrical re-release proved false. There were however a couple of good books released. One of those was J.W. Rinzler's The Making of Star Wars: The Definitive Story Behind the Original Film which provided a thorough account of... well, the making of the film. Three years later it's the thirtieth anniversary of The Empire Strikes Back and Rinzler is back with another book.

It's presented in the same format as its predecessor, written with the use of notes, memo's and mostly contemporary interviews. Alongside this, there are a variety of visual treats such as concept art, storyboards (including Luke's training that didn't make it in to the final film), photos of models, on-set action (including another deleted scene), equipment, diagrams and more. The complete story of the film's production is covered from the earliest story ideas to the theatrical release - and then the bit just after the film was in theatres and it was decided to add three more shots. How much of this is new to you will depend on what you've read before, but there is still a lot of previously unseen pictures and new bits of information to be found – for example the identity of "Monkey Lady" (the original Emperor) which is finally revealed.

There's plenty of interest throughout. The story conference summary mentions that Han was raised by Wookies – an idea that years later wouldn't be used in Revenge of the Sith either. There's also mention of a lost sister: the "other" referred to in the film. "Someone suggested it might be the Princess," says Mark Hamill later on "but I think that would be a letdown."

Where things really get good is when filming begins. It was a troubled shoot which ran far over schedule, making for an interesting read. The freezing cold of Finse, the stage burning down at Elsetree Studios and other problems such as Dave Prowse revealing details of the film: "I talk at science-fiction conventions and I try to give them a little bit of information they don't have. And I'll always say, 'Whatever happens, don't mention this to anybody.'"

Leaks may have been annoying but it becomes apparent that the biggest problem was the ever increasing cost. George Lucas was financing it himself, leading to conflict with producer Gary Kurtz. "I'm faced with a situation where everything I own, everything I ever earned, is wrapped up in Empire" says Lucas at one point, whilst Kurtz seems to have had a lot more faith in the film: "I would say, 'Look at the rushes: The performances are really good, it's working really well and it's going to surprise everybody'". Ultimately the film was a success, but the relationship deteriorated and it's no surprise that Kurtz didn't return for the next film.

The filming had previously been chronicled in Alan Arnold's excellent Once Upon a Galaxy: A Journal of the Making of The Empire Strikes Back. Indeed it is the interviews that Arnold conducted for his book that provide a large chunk of the quotes in this one. However the two have a very different feel. As you would expect from the title, Arnold's book is more personal with a lot of his own thoughts and observations included – although some of these can still be found peppered throughout this one. Additionally "some of the best material [...] didn't make it into the publication" notes Rinzler in his introduction.

One highlight from Once Upon a Galaxy was the day Arnold had director Irvin Kershner wear a cordless microphone. The transcribed recording has also made it in to this book - though each version has a few moments not included in the other. It provides a fascinating glimpse of life on set as Kershner and Harrison Ford try to figure out the scene in the carbon freezing chamber that just isn't working. It's also funny. Carrie Fisher turns up, seems desperate to slap Lando, gets quite annoyed that things are being changed without her and eventually falls out with Ford. Oh and Dave Prowse pops up to talk about his book.

It's not just the stars that provide the interest. Over at ILM they find that despite figuring out things on Star Wars, a new film brings new problems - and the fact that their new facility is under construction doesn't help. It's easy to feel sorry for Dennis Muren et al, when having followed their quest to get the Tauntaun movement just right, it's one of the first things to get criticised following a preview. Also of interest is seeing LucasFilm grow, something the people there were not always happy about.

The book also provides a look at the changing shape of the saga. There's been confusion over the years as to just how many films there is supposed to be and here an early outline reveals that the first Star Wars film was to be Episode VI. Obviously this changed when it was decided to make Empire the fifth episode (the first film would not be numbered until the 1981 re-release). The deals for Hamill and Carrie Fisher included a fourth film and the book notes that there was at one point a 12-film plan but by the time Empire was released this had been reduced to 9. "People were always asking, 'Are you going to do more sequels?'" says Lucas towards the end of the book "Sometimes I got carried away."

Overall this is an excellent book. Things such as Splinter of the Mind's Eye (the first Star Wars novel) and The Star Wars Holiday Special, both released during the period covered here, are only briefly mentioned when perhaps more could have been written on them. But that's just a minor criticism, the book is after all titled The Making of The Empire Strikes Back and it delivers a full and engrossing account of the making of the first Star Wars sequel whilst also providing a lot of interesting photos and pictures to look at.

The Making of Star Wars was released in paperback and hardback formats, with the latter having more content, but this time it appears there is only a hardback version. This may be unfortunate if you were hoping to save a few pounds but the book is likely to be found below RRP most places (at the time of writing Amazon have it available to pre-order for £25.99). It is worth noting that TMOSW received a second paperback release in 2008 (RRP: £14.99), that shrunk down the book to a smaller size (22.9 x 15.2 x 3.8 cm), though it lost a lot of the images. If such an edition appeals, it may be worth hanging on to see if the Empire book receives a similar release.